Turn of Mind

Starred review from May 9, 2011
LaPlante's impressive first novel sensitively explores the mental disintegration of widowed 64-year-old Jennifer White, a once-lauded Chicago hand surgeon, who charts her own experiences with Alzheimer's both consciously, in notes she writes to herself and thoughts she shares, and unconsciously, as she records conversations and actions she witnesses but doesn't understand. When someone fatally bludgeons Jennifer's best friend, 75-year-old Amanda O'Toole, who lives just three doors away, suspicion falls on Jennifer because the killer surgically removed four fingers from Amanda's right hand. In a satisfying twist, Jennifer honestly doesn't know herself whether she committed the murder. Jennifer's 29-year-old lawyer son, Mark, wishes to have his mother declared mentally incompetent, while her 24-year-old daughter, Fiona, a sweet, loving flake, and her full-time caretaker, Magdalena, act out of less selfish motives. Mystery fans should be prepared for a subtle literary novel in which the unfolding of Jennifer's condition and of her past matters far more than the whodunit. 16-city author tour.

Starred review from June 15, 2011

LaPlante's literary novel explores uncharted territory, imagining herself into a mind, one slipping, fading, spinning away from her protagonist, a woman who may have murdered her best friend.

Dr. Jennifer White lives in the dark, shadowy forest of forgetfulness. She is 64, a flinty intellectual, competent and career-focused, but she has been forced to retire from orthopedic surgery by the onset of dementia. Her husband is dead. Her children—precociously intelligent and possibly bipolar Fiona, a professor, and Mark, an attorney like his late father, but only an imitation of that charismatic and competent man—are left to engineer her care. The novel opens with White at home, cared for by Magdalena, a paid companion. Fiona has control of her mother's finances, a source of conflict with Mark, troubled by money problems and the hint of addiction. White's own strobe flashes of lucidity reveal the family's history. White's closest friend, Amanda, was found dead a few days previously, a thing she sometimes understands. Four fingers from one of Amanda's hand had been surgically amputated. Amanda, her husband Peter and Jennifer and James were close friends, but Amanda possessed an arrogant streak, a hyper-moralistic and judgmental attitude, aggravated by a willingness to use secrets to manipulate. Amanda was also childless and jealous, especially of Fiona's affections. LaPlante tells the story poignantly, gracefully and artistically. Jennifer White, as a physician, as a wife, as a mother, leaps from the pages as a powerful character, one who drifts away from all that is precious to her—her profession, her mental acuity—with acceptance, anger and intermittent tragic self-knowledge. LaPlante writes in scenes without chapter breaks. White's thoughts and speech are presented in plain text and those of the people she encounters in italics. Despite the near stream-of-consciousness, Faulknerian Sound and Fury presentation, the narrative is easily followed to the resolution of the mystery and White's ultimate melancholy and inevitable end.

A haunting story masterfully told.

(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

February 1, 2011

Retired orthopedic surgeon Jennifer White is suffering from dementia. So she doesn't know whether she's responsible for the murder and mutilation of best friend Amanda (the corpse had several fingers removed). But this book is not gory, instead tracking the doctor's escalating frustration with the caretakers she no longer recognizes and with her condition itself. A fascinating read told in fragments mirroring the protagonist's confused state of mind and the publisher's biggest book for July, with rights already sold to 11 countries. I'd go for it.

Copyright 2011 Library Journal, LLC Used with permission.

Starred review from May 1, 2011
Part literary novel, part thriller, LaPlantes haunting first novel traces the deterioration of orthopedic surgeon Jennifer White, who at 64 is suffering severe dementia due to Alzheimers disease. Told entirely from her viewpoint, this is an often startling portrait of a fiercely intelligent woman struggling mightily to hold on to her sense of self. As her lucidity waxes and wanes, her dire circumstances increasingly come to light. Her husband has recently died, and she lives with a caretaker in her handsome house on Chicagos North Side. She has two children who seem to be battling over her money. Most distressing, her best friend, Amanda OToole, has just been murdered, her body found in her home with four fingers surgically removed. Now the police consider Jennifer a person of interest, and even Jennifer herself does not know whether she killed Amanda. It appears their friendship was a difficult one, marred by frequent arguments, and Jennifers seemingly happy marriage was full of secrets and betrayal, all of which Amanda seemed to know about. This masterfully written debut is fascinating on so many levels, from its poignant and inventive depiction of a harrowing illness to its knowing portrayal of the dark complexities of friendship and marriage.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)

Starred review from March 1, 2011

Dr. Jennifer White, 64, is a widowed retired orthopedic surgeon with rapidly advancing dementia. As she narrates her story, she is alternately eloquent and profoundly disconnected from reality. She lives at home with her caregiver; her son and daughter are doing their best to cope with her mood swings, confusion, and wanderings, but they have their own challenges. When Jennifer's best friend and neighbor is found murdered with four of her fingers surgically removed, she is understandably the prime suspect. She has no memory of committing the crime. Her children do their best to insulate her from incarceration as her grip on reality continues to slip. Her fractured and sometimes brilliant narrative of police questioning reveals the intimate story of two strong women whose friendship was both compassionate and highly adversarial. VERDICT This extraordinarily crafted debut novel guides the reader through family drama that is becoming all too familiar. That the author is able to do it so convincingly through the eyes and voice of the central character is an amazing achievement. Heartbreaking and stunning, this is both compelling and painful to read. [See Prepub Alert, 1/3/11.]--Susan Clifford Braun, Bainbridge Island, WA

Copyright 2011 Library Journal, LLC Used with permission.

May 15, 2014

Amanda O'Toole has been murdered and four of her fingers were surgically removed. The police suspect the victim's best friend, Dr. Jennifer White, but Jennifer is suffering from Alzheimer's and has no idea whether or not she committed the murder. Most of the time she doesn't even realize her friend is dead. VERDICT This is an ingenious mystery with a highly unreliable narrator. Full of twists and turns, it will keep fans of Before I Go To Sleep and Gone Girl guessing right up to the end. (LJ 3/1/11)

Copyright 2014 Library Journal, LLC Used with permission.

Starred review from June 15, 2011

LaPlante's literary novel explores uncharted territory, imagining herself into a mind, one slipping, fading, spinning away from her protagonist, a woman who may have murdered her best friend.

Dr. Jennifer White lives in the dark, shadowy forest of forgetfulness. She is 64, a flinty intellectual, competent and career-focused, but she has been forced to retire from orthopedic surgery by the onset of dementia. Her husband is dead. Her children--precociously intelligent and possibly bipolar Fiona, a professor, and Mark, an attorney like his late father, but only an imitation of that charismatic and competent man--are left to engineer her care. The novel opens with White at home, cared for by Magdalena, a paid companion. Fiona has control of her mother's finances, a source of conflict with Mark, troubled by money problems and the hint of addiction. White's own strobe flashes of lucidity reveal the family's history. White's closest friend, Amanda, was found dead a few days previously, a thing she sometimes understands. Four fingers from one of Amanda's hand had been surgically amputated. Amanda, her husband Peter and Jennifer and James were close friends, but Amanda possessed an arrogant streak, a hyper-moralistic and judgmental attitude, aggravated by a willingness to use secrets to manipulate. Amanda was also childless and jealous, especially of Fiona's affections. LaPlante tells the story poignantly, gracefully and artistically. Jennifer White, as a physician, as a wife, as a mother, leaps from the pages as a powerful character, one who drifts away from all that is precious to her--her profession, her mental acuity--with acceptance, anger and intermittent tragic self-knowledge. LaPlante writes in scenes without chapter breaks. White's thoughts and speech are presented in plain text and those of the people she encounters in italics. Despite the near stream-of-consciousness, Faulknerian Sound and Fury presentation, the narrative is easily followed to the resolution of the mystery and White's ultimate melancholy and inevitable end.

A haunting story masterfully told.

(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)